Music Mastered at DRT

Each of these samples has a groove that mastering helped to intensify. These represent a very small cross-section of styles that I've worked on. (No Metal, Techno, Country, Acoustic/Folk, Jazz, orchestral works, etc.) I've been pretty backed up with work, and truth be told, haven't spent much time on this page. I still stand by all the sounds here, though. Call me if you have questions about your particular style. There are long and short examples of each cut - in CD audio or MP3.

Daughter by Vienna Teng - Solo female vocal with piano. Smoothness and articulation.
Long: 33mB WAV or 3.6mB MP3         Short: 11mB WAV or 1.2mB MP3   

Funky Lepinja by Mothdust - funk/alt with an edge, from Australia.
Studio: Big Throbbing Music    (Parental Advisory: One swear word.)
Long: 39mB WAV or 5mB MP3        Short: 8mB WAV or 1mB MP3

Twankys on 'Em by DaNoiz - HipHop from Connoisseur Records.
Long: 59mB WAV or 6.4mB MP3        Short: 12.5mB WAV or 1.6mB MP3

Ain't Got the Money (partial) by Infrared and Baby Jayne, Connoisseur Records.
Long: 9.5mB WAV or 1.2mB MP3          (They wanted this one bassy!)

Lost in You by Throne - Contemporary Worship    Studio: Dogwood Recording  
Long: 34mB WAV or 4.3mB MP3        Short: 11mB WAV or 1.4mB MP3

Holy and Anointed One (partial) - guitar-oriented Christian Rock, also by Throne.
Long: 18mB WAV or 2.2mB MP3       Studio: Dogwood Recording   

Down On the Ground (partial) - Blues/Rock by Low Melt, from Atlanta.
Henry Turner gets a Double Trouble feel. Steady Roller Records   (1997)
Long: 19mB WAV or 2.5mB MP3        Short: 12mB WAV or 1.5mB MP3

Tech stuff: Variable bit rate MPEG encoding by Lame v.370, with parameters:
-V 1 -b 128 -h -m j -q1

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